故事分(fèn )成三(sān )個章節(jiē )(📒)：主要的(de )(🔼)章節(jiē )由(🕋)高(😘)達(dá )親自飾(🔱)演(yǎn )導(dǎo )演，正要趕(🎗)乘(chéng )飛機(jī )，在24小時內把一部(bù )電影的菲林(lín )交給(🎲)監製；同時一隊二人流行(🐿)電子(zǐ )音樂(🎩)組合，不(bú )(🎡)斷排(🕯)練歌曲，最後在路上(🏐)表演；另一邊廂，愚笨的(🍮)大(✖)肥(🙁)佬捲(🚸)入一(yī )宗(zōng )事件，被神秘(mì )女(nǚ )人密(mì )切監視，最後更被拘捕。三段故事(🔢)看似(💱)毫無關連(lián )，實(🥎)際是高(gāo )達以電影來(lái )討論電影製作(🙄)和藝術創作的(de )重要。片名(⛏)看(kàn )似帶有弦外(🚻)之音，就(jiù )像高達暗示(🤳)，假(jiǎ )如監製或其(qí )他人要干擾(rǎo )導演的藝術創作(zuò )，就索(🍑)性(👊)我行我素(sù )(🐾)，忠於自(zì )己的道路好(🐨)了。這(🤷)大(🃏)概亦示範了高達(dá )(🐩)如(rú )何(😝)純(🔈)熟地運用(yòng )(🎥)電影媒體來做評論。　　A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.